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Zeller & Moye and Katie Paterson align hundreds of glass cylinders for Apple campus sculpture

Deezen

Architecture studio Zeller & Moye has collaborated with artist Katie Paterson to create Mirage, a massive sculpture made from glass cylinders for technology company Apple 's campus in California. It is meant to be experiential Mirage derives its name from the effect that the glass gives off when hit by light.

Glass 127
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A Wood Canopy With Netting Fills Out a Glass-Wrapped New York Apartment

Dwell

Continuing to interrogate the fundamental nature of a partition, the installation of a garden folly responds to the inhuman proportions found in the newly combined double-height space, which opens to the city through 22-foot-tall glass walls on three sides, and takes on the scale of landscape. Post it here.

Glass 128
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REX creates "holy grail" combination of performance spaces in Providence

Deezen

Called The Lindemann Performing Arts Center (The Lindemann) the 101,000 square-foot (9,383-square-metre) structure consists of a shoebox theatre with a long bridge-like walkway. A light installation by US artist Leo Villareal has been installed in the lobby. So it's this weird inversion."

Space 132
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Kaan Architecten adds "monumental" visitor centre to second world war cemetery

Deezen

To respect the cemetery's existing "monumental ensemble" and reference American memorial architecture, the studio created a concrete and glass form that would "claim its own space while blending into the greater whole". Here, a row of concrete blocks provides seating. The photography is by Simon Menges.

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AO Architects proposes second-tallest skyscraper in US for Oklahoma City

Deezen

Renderings show three smaller towers flanking a central corridor decked out with storefronts, a mezzanine, water features and light installations, with the supertall skyscraper at the back of the complex. The supertall skyscraper will be relatively flat with a uniform shape that tapers up slowly towards the structure's crown.

Cities 134
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AECOM and Luis Vidal place sleek red roof on Boston airport terminal

Deezen

On the opposite side, where the gates are, the face of the structure is mostly glass. Where the form bulges out on its south side, a series of darkened panoramic windows were installed under the lip of the roof, along the edge of the terminal's crescent-like form. The photography is by Ema Peter.

Roofing 136
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Omer Arbel uses fabric formwork for concrete pillars in Canadian house

Deezen

Along with curling exterior walls that span the length of the houses's perimeter, they were created using a technique in which concrete is poured slowly into fabric formwork supported by a plywood rib structure. The team covered the structure with berms, which rise out of the flat landscape of the surrounding agricultural fields.

Housing 142