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Agency of the Subsurface

BLDGBLOG

I had the pleasure of tagging along with both Trinks and Campana last year as part of my Graham Foundation grant, “ Invisible Cities ,” and a brief write-up of that experience is now online over at WIRED. Thanks again to the Graham Foundation for Advanced Studies in the Fine Arts for supporting this research.

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Seattle Aquarium Ocean Pavilion, Washington

e-architect

To visibly honor and acknowledge the Aquarium’s location on the traditional lands of the Coast Salish peoples, the project team worked closely with local tribes and Indigenous communities to inform and shape the programming, design, and cultural framework for the building, landscape, exhibits, and public art. Building Height: 50 FT.

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Three Waves, Dover, Southeast England

e-architect

The esplanade should become a major attraction in itself, a place to see and be seen, a place where arts and culture can be encouraged to thrive, and a key setting for a variety of creative activities, temporary and permanent. The surface is designed to create shadows, minimising glare and discouraging fly-posting and tagging.

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When Did Summer Camp Get So Lux?

Dwell

These camps measured authenticity by their distance from the industrialized world, which often meant borrowing from Native American cultures, appropriating perceived versions of Indigenous languages, symbols, and customs like living in tepees, using totem poles, and donning face paint.

Events 85
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In Their Elements

Landscape Architecture Magazine

It describes, for example, the region’s history of Indigenous presence and subsequent European settlement, species found there, an inventory of types of agriculture in the area, and the possibilities of an agricultural-district overlay. Lauren says, “We looked at all their waste material.

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