Wayland Square, on the east side of College Hill. (Photo courtesty of the Providence Journal)
Wayland Square, named for Brown University’s fourth president, on land owned long ago by one of its founders, Moses Brown, is one of the most delightful neighborhoods in the city of Providence. It has fine shops and restaurants, and hundreds of elegant single-family houses, built mostly in the vicinity of 1910-1920. It’s no surprise that developers want to take every available space and build apartments.
490 Angell St., a brick apartment building in the Mediterranean style. (Photo by author)
And that might not be such a bad thing if they were inclined to model their proposals on the brick residential towers that are Wayland Square’s most notable architecture. Wayland Manor and its even more ornate neighbor, 490 Angell St., flank Wayland Avenue as it heads south into the square. How easy it would be to copy the past, the beautiful past.
Instead, developers want to give us this:
New apartment block near Wayland Square. (Will Morgan)
And that’s okay with architecture critic Will Morgan, who describes the abomination above, inflicted upon Wayland Square by architect Andrew Hausmann, of the Chicago firm Perkins & Will, as “a handsome composition with a commanding sense of presence … whose monochromatic gray facade provides an air of elegance.” He urges the developer of proposed new apartments at 128 Wayland Ave. to take a similar tack, to “push their comfort zone a little.”
That is a term that architects understand as “give the client something he is not going to like.” This is a preferred sales technique of modern architects going back to Ludwig Mies van der Rohe. The final director (1930-1933) of the modernist Bauhaus school, in Germany, said “We should treat our clients as children, not as architects.” This is what architect Hausmann has done, but he probably didn’t expect Will Morgan to give him a boost. Morgan says that the new building “could be wrapped in a metal façade or some sort of scrim echoing the red and blue colors of the vintage sign.” Huh?
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In short, Morgan urges the architect to treat the developer as if he were a child.
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A stroll down Wayland Avenue starting from four or five blocks north of the square reveals a number of very pleasant single-family homes erected in recent decades. They look like the traditional houses that have long characterized the neighborhood. They were designed by architects who did not treat their clients like children. Andrew Hausmann and his ilk can afford to treat their clients like children because, unlike clients who want an architect to design their own home, their clients’ future tenants have no say in what the building will look like. In all probability, the developer is a fool who wants his building to demonstrate that he is on the cutting edge … of what?
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And why is Will Morgan giving him the thumbs up?
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Below is an early version of the design for 128 Wayland Ave., long the home of the wonderful Wayland Bakery. Let us hope that developer Kyle Seyboth and his architect, Ed Wojcik, decline to take Will Morgan’s advice. They should make it better, not worse.
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Early design for apartment building to replace the long-time home of Wayland Bakery. (Ed Wojcik)
About David Brussat
This blog was begun in 2009 as a feature of the Providence Journal, where I was on the editorial board and wrote a weekly column of architecture criticism for three decades. Architecture Here and There fights the style wars for classical architecture and against modern architecture, no holds barred.
History Press asked me to write and in August 2017 published my first book, "Lost Providence." I am now writing my second book.
My freelance writing on architecture and other topics addresses issues of design and culture locally and globally.
I am a member of the board of the New England chapter of the Institute of Classical Architecture & Art, which bestowed an Arthur Ross Award on me in 2002.
I work from Providence, R.I., where I live with my wife Victoria, my son Billy and our cat Gato.
If you would like to employ my writing and editing to improve your work, please email me at my consultancy, dbrussat@gmail.com, or call 401.351.0457.
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Architecture Here and There 
Outrageous design. Put everyone in boxes. The architects do it because it’s easy and requires no skill or imagination.
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